In short
- One named night lead should be in charge: the person a theatre would call the stage manager. They hold the run sheet, the clock and the microphone hand-offs.
- The chair and trustees stay accountable and decide what the room is asked for, not when the speeches start.
- The host or auctioneer owns the room while speaking, and no longer.
- The venue’s duty manager owns the building: fire, doors, and removing a guest.
- Agree the table below before the night, print it, and give a copy to everyone on it.
Who should be in charge on the night of a charity gala? One named person with the authority to say yes or no to a change while it is happening. I call them the night lead. I am Kevin Durham, a professional charity auctioneer and event host, and I work 60 to 80 fundraising evenings a year. A few lines below come from my own nights on the microphone. The rest is general good practice, and I say so each time.
Who should be in charge on the night of a charity gala?
A night lead should be in charge: one named person, neither the chair nor the auctioneer, who holds the printed run sheet, watches the clock, and can move, trim or hold any item. Everyone else keeps their own patch. This is general event practice, not a rule from one rulebook.
Theatre works this way. A stage manager has overall responsibility for the smooth running of a production, and larger shows add assistants to the one lead.
HSE’s guidance for event organisers, read in November 2026, says you carry prime responsibility for your workers, your audience and your contractors. Its crowd guidance tells you to decide who for each safety duty and to make sure everyone understands theirs. It is written for public events, but the principle holds in a hotel ballroom.
Why not the chair or the auctioneer?
Because both are busy with something else. The chair has a speech, a table of donors and a charity to thank. The auctioneer has a room to win. Neither has spare attention for the clock.
Here is the first thing from my own experience. At one event, running late with no speech or film to set up the auction, I announced the live auction while people were still talking, and I did not stop to get them quiet. Only a fraction of the room heard the lots, and one man bid on an item he could not properly hear. That was my mistake. It showed me which job is mine: the room’s attention, for the length of my segment.
The second is an opinion. Bidding momentum needs one person driving it, not a committee. What helps me most on the night is a calm point of contact who can answer a quick question and then let me get on.
Trustees are still accountable.
The Charity Commission’s trustee duties say you must manage your resources responsibly and ensure your charity is open and accountable. The chair keeps that. The night lead runs the evening on the chair’s behalf.
Who holds the microphone at a charity gala, and who can change the running order?
The night lead hands the microphone over and can move times, trim speeches and hold items. Only the chair can change what the room is asked for. Agree this table at the walk-through, print it, and put it in the same pack as the run sheet. It is a template for a committee to adopt, not a standard.
| Decision | Decides | Must be told |
|---|---|---|
| Moving a time (dinner, speeches, doors) | Night lead | Host, venue, caterer |
| Handing the microphone to anyone | Night lead | Host |
| Shortening or dropping a speech | Night lead, after a word with the chair | Speaker, host |
| Stopping a speaker who overruns | Night lead signals, host speaks | Chair |
| Changing the ask: pledge tiers, dropping the auction | Chair | Night lead, auctioneer |
| Withdrawing a lot or changing a reserve | Chair, with the treasurer | Auctioneer, clerk |
| Pausing the programme for a medical incident | Night lead | Chair, host, venue |
| Removing a guest | Venue duty manager | Night lead, chair |
| Evacuating the room | Venue duty manager | Everyone |
Anything not on the table goes to the night lead.
If time is short, trim the speeches, never the auction and pledge. My running order post explains why that slot is worth protecting.
Who handles a medical incident or a problem guest?
A named first aider treats a casualty, the night lead pauses the programme and informs the host, and the venue’s duty manager handles the building and anyone who has to leave. Decide who is who before doors open, and write the first aider’s table number on the run sheet.
On first aid, HSE’s legislation page, read in November 2026, says the Health and Safety (First-Aid) Regulations 1981 do not place a legal duty on employers to provide for non-employees such as the public. It adds that HSE strongly recommends including them in your assessment. A gala’s guests are exactly that group. St John Ambulance says it provides cover at more than 8,500 events a year and takes enquiries online. For anything serious, the NHS guidance is to call 999 and give the location.
A disruptive or upset guest is a different job. Quiet words from the night lead, with the duty manager nearby, settle most of them. The host does not deal with it from the stage, and neither does the auctioneer. I am playful about people in the room, but I never criticise a guest.
What does the venue’s duty manager do on the night?
A duty manager is the venue staff member who controls the building during your event: the fire alarm, evacuation, doors, kitchen timing, and removing anyone who must leave. Job titles vary, so ask what your venue calls theirs. This is typical practice, and your contract governs.
The law points the same way. Under the Fire Safety Order, the responsible person includes anyone with control of the premises, which at a hotel or hall usually means the venue rather than your committee. HSE adds that where control of a venue is shared, the responsibilities should be clearly defined and assigned.
At the walk-through, ask for the duty manager’s name and mobile number, the evacuation plan, and where they will be during the speeches. Swap numbers with your night lead there and then.
Handing over control at a charity gala
Control passes by a spoken cue, not by feel. The night lead says standby, the host or auctioneer takes the microphone, and the night lead takes it back on an agreed signal. The wording lives on the run sheet, so nobody invents their own.
Three handovers matter: into the auction, from auction to pledge, and from pledge to close. For the first, the night lead decides when the room is ready and the table captains help bring it there. My posts on table captains and auction spotters cover what those volunteers do.
One person hosting and running the auction removes a handover altogether, which I explain in host or auctioneer.
When is it worth bringing in a professional?
Do it yourself when the evening is short, your night lead is a calm volunteer who is not also speaking or sitting at a table, and your host is comfortable on a microphone. Plenty of good nights run that way.
Bring someone in when the person you would put on the microphone is also your chair or your night lead, because that is one person doing two jobs. A professional host and auctioneer, working to your night lead and not instead of them, gives your committee one voice to brief and one fewer handover. It is the event hosting I offer.
Kind words from Nicola Briscoe, IBA / Electrical Industries Charity (EIC), after a sportsman’s dinner: “He’s really professional, engaged the room and took control where we needed it.” My part is small next to the work of the team behind the charity. More are on my client reviews page.
If you are weighing it up, call me on 07596 851647. Have ready your date, the venue and its duty manager’s name, your headcount, the draft running order, and what went wrong last time. The auction software is included when you hire me: I build it around your event, in your branding with your lots and tickets, and it stays live for a month afterwards.

Kevin Durham
Charity auctioneer & event host
